Taula d’endevinació digital II

What would an exhibition curated by an artificial intelligence be like? What themes would it propose? What artists would it invite? How would it understand the exhibition space?

To discover the future of the Santa Mònica, we will consult the medium that seems to be moving fastest towards the future today: artificial intelligence. Does the future lie where algorithms indicate, or are we spinning inside a crystal ball?

A playful and participatory activity with tarot card readings by Pasquale Bavaro and predictions by AI Alana.

This digital divination table is the second part of a divinatory exercise promoted by the Digitalisation Guild  . This activity is also part of Ways of not to see an exhibition , a cycle of mutant visits that propose unique and different ways of visiting Santa Mònica beyond the exhibition contents.

By the Digitalisation Guild   

With the participation of Pasquale Bavaro

Carlos Carbonell is a programmer/artist who investigates digital tools applied to performance. His digital installations and videos have been exhibited at Strobe, Lo Pati, center of art in Terres de l'Ebre (Amposta), Genius Loci, Miró Foundation (Barcelona), Capitain Future, La Gaîte Lyrique (Paris).

Marc Villanueva Mir is a performing artist. His projects critically interrogate political issues through contemporary languages, focusing especially on the ethical dimensions and problems of representation, the performativity of discourse, and the interrelationships between knowledge and power. In addition to his own projects, he works as a playwright in creation shows and interdisciplinary pieces.

Pasquale Bavaro is a scenic artist and tarot reader. After studying Performing Arts and Philosophy in Italy, he moved to Barcelona where he graduated as a director and playwright from the Institut del Teatre. Some of his works include Magnificat, L’osteòpata and Instruments per beure vents.

Language: catalan